Saturday, March 24, 2012

New York Diamond Exchange



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You can create an appointment at thеіr office оr stop by for а absolutely free consultation. Based in Freeport, N. Its web page says they pay higher than weight for jewelry.

New York



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Porn Password



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Thursday, March 15, 2012

Sasha Kalter-Wasserman

Guggenheim curator since 2008

Sasha Kalter-Wasserman received her BA from Middlebury College, where she studied art history and international politics, and received the Diplôme international for her studies at the Institut d’études politiques (Sciences-Po) in Paris. Prior to her 2008 appointment to the Abu Dhabi Project, she assisted Curator of 19th- and Early 20th-Century Art Vivien Greene on various Guggenheim exhibitions, including Citizens and Kings: Portraits in the Age of Revolution; Divisionism/Neo-Impressionism: Arcadia and Anarchy; and Utopia Matters, for which she wrote for the catalogue. She is part of the curatorial team developing exhibitions and collection for the future Guggenheim Abu Dhabi.


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Supporters

The Leadership Committee for Maurizio Cattelan: All is gratefully acknowledged.

Founding Members
Steven A. and Alexandra M. Cohen Foundation
Amalia Dayan and Adam Lindemann
Massimo De Carlo
Danielle and David Ganek
Judie and Howard Ganek
Marian Goodman
The Mugrabi Collection
Gael Neeson and Stefan Edlis
Amy and John Phelan
Galerie Perrotin
Samantha and Aby Rosen
Fondazione Sandretto Re Rebaudengo, Turin, Italy
Beth Swofford
Lisa and Steven Tananbaum
David Teiger
And those who wish to remain anonymous.

Members

Henry Buhl
Ulla Dreyfus-Best
Lisa and Donald Jackson
Dakis Joannou
Daniela Memmo d'Amelio
Renata Novarese di Moransengo
Victor Pinchuk

Supporters

Attilio Codognato
Honor Fraser and Stavros Merjos
Fundación Almine y Bernard Ruiz-Picasso para el Arte


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Maurizio Cattelan: All Public Programs

Visit Public Programs for the most recent information and tickets, or call the Box Office at 212 423 3587

The Critical Edge of Curating
Fri, Nov 4, 2 pm
International curators discuss the impact of exhibitions and related curatorial activities on cultural and social change in a program of conversations around critical issues. Co-organized by Nancy Spector, Deputy Director and Chief Curator, and curator of Maurizio Cattelan: All, and Kate Fowle, Executive Director, Indepenent Curators International (ICI). Speakers include: Ute Meta Bauer (MIT); Shelley Bernstein (Brooklyn Museum); Suzanne Cotter (Abu Dhabi Project, Guggenheim Museum); Tom Eccles (Center for Curatorial Studies); Tom Finkelpearl (Queens Museum of Art); Eungie Joo (New Museum); Weng Choy Lee (School of the Art Institute of Chicago); Chus Martinez (Documenta 13); Rodrigo Moura (Inhotim); Hans Ulrich Obrist (Serpentine Gallery); Yasmil Raymond (Dia Art Foundation); Ralph Rugoff (Hayward Gallery); Christine Tohme (Ashkal Alwan), and Anton Vidokle (e-flux). Reception follows. $10, $7 members, free for students with RSVP.

Curator's Eye Tour
Fri, Nov 18, 2 pm
Join Associate Curator Katherine Brinson for a tour of Maurizio Cattelan: All.

Workshop for Educators
Sat, Nov 19, 10 am–1 pm
Through encounters with Cattelan’s unique sculptural installation in the museum rotunda, educators engage in conversations and activities that focus on how the artist’s work can be used in the classroom. $20 includes curriculum materials. Registration required by calling 212 423 3637.

Hyperrealism in Contemporary Art
Wed, Dec 7, 6:30 pm
Scholars discuss concepts of realism in contemporary art, focusing on verisimilitude as a central aesthetic and conceptual strategy in Cattelan’s work and its role in his critical practice. Participants include Dorothea von Hantelmann (Freie Universität, Berlin), Alexander Potts (University of Michigan, Ann Arbor), and Nancy Spector. Reception follows. $10, $7 members, free for students with RSVP.

The Last Word
Sat, Jan 22, 6 pm–1 am
Maurizio Cattelan is retiring from art-making with his current retrospective. To mark the end of the exhibition (and the beginning of retirement), twenty or so prominent artists, philosophers, writers, comedians, filmmakers, actors, musicians, and more will come together to contemplate the end. More than just some winter morbidity, this event tackles that most difficult moment: to decide when to stop one thing and begin another or to end it altogether. Less strenuous than a long distance event and much more than a quick sprint, this event will be a meditative seven hour jog around life's central park of pleasures, desires, and regrets. Co-organized by Simon Critchley (Ph.D., Professor of Philosophy, The New School of Social Research), and Nancy Spector, Deputy Director and Chief Curator, Solomon R. Guggenheim Foundation, and curator of Maurizio Cattelan: All. Admission: pay what you wish.


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John L. Wielk

John L. Wielk joined the Solomon R. Guggenheim Foundation in 2006 as Executive Director of Corporate and Institutional Development, the chief development officer responsible for the museum’s corporate, foundation, and government fund-raising programs. His efforts support the full range of museum activities including global partnerships, exhibitions and programs, educational outreach, capital projects, and general operations.

Before joining the Guggenheim, Wielk’s previous museum experience included several fund-raising positions at the Museum of Modern Art, New York, including Associate Director of Development and Membership from 1996 to 1997, where he oversaw all corporate, foundation, and government giving to the museum; Manager of Exhibition and Project Funding from 1988 to 1996, where he was responsible for all aspects of the museum’s restricted giving program; and Grants Officer from 1987 to 1988 as the lead fundraiser for all federal and New York City and State government grants. From 1998 to 2006, immediately prior to his tenure at the Guggenheim, Wielk was Director of Development, Administration and Information Services for Professional Standards Review Council of America, a medical services consulting firm which provided contracted services to governmental health agencies and a variety of private sector organizations.

Wielk received a BA in art history and computer science from Columbia College, Columbia University, and pursued an MA program in 20th-century art and architecture at the Institute of Fine Arts, New York University.


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